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WESTERNERS AND THE QING IMPERIAL COURT

October 17-19, 2008, Beijing

This symposium will provide a forum for an interdisciplinary examination of the interaction between Westerners and the Qing court with the aim of creating a more nuanced and balanced reconstruction of this historical contact. The symposium is intended to broaden our understanding of the breadth of Westerners interacting with the Qing court as well as the perspectives of all of the historical actors involved, both Chinese and Western. Topics addressed at the conference will include: scientific and artistic exchange, gender, social class and status groups, race and ethnicity, diplomacy, transmission of knowledge, rituals and ceremony, material culture, economics, imperialism and semi-colonialism, etc. Ultimately, the project will add to our knowledge of cultural interaction during the late imperial period in China.

Call for Papers

Registration Form

Cosponsored by the Ricci Institute for Chinese-Western Cultural History at the University of San Francisco Center for the Pacific Rim, the Qing History Institute, Renmin University, China, and The Beijing Center for Chinese Studies.


MUSIC AND CULTURE : A SYPOSIUM ON CHINESE-WESTERN MUSICAL EXCHANGE FROM THE 16TH TO THE 20TH CENTURIES


Friday, May 9, 2008 • 9:00 AM - 5:00 PM
University of San Francisco, Harney 232

Co-sponsored by Chinese Culture Center of San Francisco, EDS-Stewart Chair at the USF Ricci Institute, USF Jesuit Foundation, David & Andrea Hayes, USF Music Program of the Performing Arts Department, USF Center for the Pacific Rim, Museum of Performance & Design.

Music & Culture: Chinese-Western Musical Exchange
from the 16th - 20th Centuries

Friday, May 9, 2008, Room Harney 232

9:00 - 9:30 a.m. Continental Breakfast & Registration, Room Harney 232

9:30 - 9:40 a.m.

Welcome

  • Xiaoxin Wu, USF Ricci Institute

  • Melissa Dale, USF Ricci Institute

9:40 - 11:00 a.m.

SESSION I: Celestial Harmonies

  • Joyce Lindorff, Temple University
    Matteo Ricci’s Eight Songs for a Western Keyboard Instrument
    by reading the abstract

  • David Francis Urrows, Hong Kong Baptist University
    The Pipe Organ and the Jesuits in China: A Brief Survey
    by reading the abstract

11:00 - 11:20 a.m.

Break

11:20 - 1:00 p.m.

SESSION II: Music in Cosmopolitan Shanghai

  • Hon-Lun Yang, Hong Kong Baptist University
    The Shanghai Conservatory, Chinese Musical Life and the Russian Diaspora, 1928-1949
    by reading the abstract

  • Jeremy Leong, University of Wisconsin-Madison
    Erwin Felber: A Jewish Music Scholar in Republic Shanghai
    by reading the abstract

  • Chun Zen Huang, National Taiwan Normal University
    Operatic Activity in the Shanghai Settlement: Reflections from Chinese Society

1:00 - 2:00 p.m.

Lunch

2:00 - 3:40 p.m.

SESSION III: Modern and Contemporary Musical Exchange

  • Adam Cathcart, Pacific Lutheran University
    Musical Diplomacy in the Opening of China, 1971-1973
    by reading the abstract

  • S. Andrew Granade, UMKC Conservatory of Music and Dance
    Forging a New Ritual: China’s Aesthetic Influence on Harry Partch
    by reading the abstract

  • Yen-Ting Chao, National Taiwan University
    The Construction of Native Identity through Jazz in Taiwan
    by reading the abstract

4:00 5:00 p.m. Tour of the Ricci Institute and Reception


MUSIC & MISSION IN 18TH C. CHINA: SONATAS & LETTERS OF TEODORICO PEDRINI

Public Lecture/Recital (Free and Open to the Public)
Thursday, May 8, 2008 • 6:00 PM
Location: Chinese Culture Center of San Francisco
750 Kearny Street, Third Floor
San Francisco, CA 94108
For information: 415-422-6401 or 415-986-1822

Peter Allsop, PhD, Visiting Professor, Central Conservatory, Beijing
Joyce Lindorff, DMA, Associate Professor, Temple University
with guest artist, Kati Kyme, baroque violin

Drs. Allsop and Lindorff will interweave musical performance with narrative as they explore the letters and music of Teodorico Pedrini, an Italian composer and missionary at the Chinese imperial court from 1711-1746. As a prelude, they will discuss the musical contributions of Tomás Pereira, the Portuguese Jesuit who preceded Pedrini in the role of imperial music master. Both missionaries contributed to the Lülü Zhengyi Xubian, a Western music treatise within a Chinese theoretical study and a truly unique East-West collaboration.




USF Ricci Institute
2130 Fulton St, LM280
San Francisco, CA
94117-1080
CONTACT US:
Tel: (415) 422-6401
Fax: (415) 422-2291
email: ricci@usfca.edu
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